" /> Hotchkiss Morocco 2009: April 2009 Archives

Main | May 2009 »

April 22, 2009

Greetings from Kempie Blythe, Morocco Program Director

Kempie Camel.jpg

Asalamualaikum!

I’m thrilled to be a part of what will surely prove to be an amazing, challenging, and life-changing experience for you all! My life journey began much as yours will. I took a leap–decided there was something beyond (what I did not know)–and landed halfway across the world into something exotic, strange, frightening at times, but nonetheless exhilarating.

Morocco is an incredible place filled with vivid sounds, smells, tastes, and images that will stimulate you, drive your curiosity, and eventually all come together in a myriad of ways in your mind, body, and soul.

I know that, at this moment, you’re wondering what it is like and thus I have chosen to share a piece of my writing…a piece of my Moroccan experience…

“As I wandered one foot after another into the infinite rolling hills of sand in the cool gray morning, I took in the vastness surrounding me. Over each dune lay another, taunting me to go further. I could hear the distant voices of the others, yet when I glanced around, there was no one else, just the desert and me. In that moment, I was struck with fear and awe. I felt like I had reached the ends of the earth. The experience felt surreal, yet frighteningly alive. Charting totally unfamiliar territory, I felt as if the dunes could swallow me at any moment.

I was exposed--completely vulnerable to the will of nature. Despite the foreboding desert, the silence and the sand beneath my feet gave me a sense of serenity. When I reached yet another peak, I sat and watched the desert awaken. The blinding sun shot out of the nothingness and painted the gray dunes a deep reddish orange. I watched the color consume every grain of sand in the horizon; the desert’s grandeur swept over me, leaving me curiously enamored in its wake. I walked further into perilous dunes to experience the unknown. Feeling the sand beneath my feet, my experience of the surreal faded. My expectations of the desert took new form. The moment became real, and I found comfort in the familiarity of this once seemingly alien environment. As I sat in this comfort, I sought further. I realized that beyond this exotic beauty lay the harshness of this environment. I wanted to understand the reality not merely of the desert but of the ones that endure it.”

This is just a beginning. I could describe the first awe-inspiring moment I stood on a rooftop and heard the call to prayer coming at me from all directions, the awkward moments in which my “vegetarian” meals had a lamb’s head involved, the amusing time I said a word wrong in Arabic and ended up saying a part of the male anatomy, or the days I spent watching my imam host father share his wisdom and life stories with my five-year-old host nephew…but I don’t want to spoil the excitement that is to come!

While I was studying indigenous perspectives in Mexico a respected teacher of mine, Gustavo Esteva, said so gracefully, we must learn to “host the otherness of the other.” Exposure and interaction breeds understanding and acceptance. As we all open up to the worlds beyond our comfort zones, we invite the experience of the unknown. This process triggers a curiosity that will lead us further…

Together we will shape and transform this program into our realities…realities we will never leave behind…realities that will challenge us and inevitably demand growth. That’s why I have joined Global LAB and I imagine that’s at least a part of the reason that you have chosen to take this leap with me. It will be an unforgettable one!

I will leave you with one of my favorite phrases in Arabic: la shukran ala wajib. It means “your welcome;” however, it literally means “no thank you (necessary), it is my duty.” I am honored to take on the responsibility of being your guide, leader, and friend through this incredible adventure! Please feel free to contact me at 704.905.5362 or kempie@global-lab.org.

Kempie

April 20, 2009

Program Itinerary

US to Morocco
June 16
Depart JFK to Casablanca

Casablanca
June 17

Morning Arrival Casablanca

Shared Accommodations in Casablanca hotel

Instruction/Cultural Touring/Activities
o Transfer from Casa airport to hotel
o Tour of Hassan II Mosque
o Lunch/Siesta
o Tour of Jewish Museum
o Dinner

Casablanca to Fes
June 18

Morning

o Breakfast Discussion with al-Akhawayn University Graduate: “A Young Professional Woman’s Perspective on Morocco ” - tentative
o Late Morning Departure to Fes by Train (approx. 3 hours)


Shared Accommodations in Fes hotel

Daily Instruction/Cultural Touring/Activities
o Home-stay orientation at hotel
o Afternoon guided medina tour #1
o Group Welcome Dinner in medina

Fes
June 19-23

Home-stays
• English-speaking home-stays for non-French, non-Arabic students
• French-speaking home-stays for French students

Shared Home-Stay Accommodations in Fes medina
o To be arranged by SACAL Fez (www.sacal-fez.com), Global LAB partner

Daily Instruction/Cultural Touring/Activities
*All instruction/lectures will take place in “the new city” (Ville Nouvelle) unless otherwise noted; group will meet each morning at Bab Racif in “the old city” (medina) and be transported by minibus to the Ville Nouvelle

June 19
o Morning: French language instruction
o Late Morning: Group darija (Moroccan Arabic) language instruction
o Afternoon guided tour of medina #2
o Afternoon Discussion: “Cultural Heritage Preservation: Fes medina case study”
o Evening home-stay placements, dinner
June 20
o Breakfast with home-stay families
o Morning: French and darija language instruction
o Lunch with home-stay families
o Afternoon: Commence medina restoration work
o Afternoon Tea Discussion: “Introduction to Islam, Sufism and ’Moroccan Islam’”
o Evening: Return to respective home-stays for cultural immersion, dinner
June 21
o Breakfast with home-stay families
o Morning: French and darija language Instruction
o Lunch with home-stay families
o Afternoon: Continue medina restoration work
o Afternoon/Evening: Return to respective home-stays for cultural immersion, dinner
June 22
o Breakfast with home-stay families
o Morning: French and darija language Instruction
o Lunch with Dr. Fatima Amrani: “Gender Roles in Contemporary Moroccan Society”
o Afternoon: Zellij and Tadelakt Artisan Workshops
o Afternoon/Evening: Return to respective home-stays for cultural immersion, dinner
June 23
o Breakfast with home-stay families
o Day Trip to Roman Ruins of Volubilis / Holy village of Moulay Idriss
o Late afternoon Henna party, live Andalusian Musical performance
o Farewell dinner with home-stay families

Fes to Marrakech
June 24

o Late morning train to Marrakech, arrive evening

Shared Accommodations in Marrakech medina riad (traditional courtyard home)

Daily Instruction/Cultural Touring in conjuction with Academy Arabesa, Global LAB partner

o Minibus transfer from Marrakech train station to riad
o Check in, settle in
o Traditional Friday couscous dinner at riad
o Guided tour of Djemaa el Fna by night

Marrakech
June 25-26

June 25
o Breakfast at riad
o “Sahara—Berber culture” lecture by Mohamed Soudani
o Guided Marrakech medina walking tour #1
o Lunch in medina
o Continue medina tour
o Traditional dinner buffet at hotel near Djemma el Fna
June 26
o Breakfast at riad
o Guided Marrakech medina walking tour #2
o The Art of “Storytelling” in Morocco: Stories as told in the Djemaa el Fna
o Afternoon free time/journaling/siesta
o riad farewell dinner + observance of a Sufi dhikr ritual
June 27
o Breakfast at riad
o Morning tour of Jardin Majorelle
o Continue to Imlil / The High Atlas Mountains

The High Atlas Mountains
June 27 – July 1

Shared Accommodations in the Ourika Valley (June 27)
Village school

Shared Berber Home-stays in the Ourika Valley, (June 28-June 30)
4-5 participants per home-stay family

Daily Instruction/Cultural Touring/Service Activities
– in coordination with Global Diversity Foundation, a Global LAB partner

June 27
o Mid-afternoon: Arrive at village school, acclimate
o Evening Ourika valley walk, orientation
o Group Dinner + discussion on local rural development challenges
June 28
o Breakfast
o Intro to Berber phrases, greetings
o Morning Olive Tree Plantings with the goal of developing sustainable gardens
o Afternoon half-day Hike in the region to appreciate High Atlas geography
o Evening transfer to nearby village
o Group dinners and overnight at Berber home-stays
June 29
o Breakfast at home-stays
o Transfer to school
o Intro to Berber phrases, greetings
o All day community service
 Olive Tree Planting continuation, if necessary
 Development of an irrigation system for the gardens
o Evening Roundtable with students and/or villagers (tentative)
o Return to home-stays for dinner and overnight
June 30
o Breakfast at home-stays
o Transfer to school
o All day community service
o Evening Berber musical performance
o Final dinner and overnight at Berber home-stays
July 1
o Farewell breakfasts with home-stay families
o Transfer to Essaouira (approx. 6 hr drive)

The High Atlas to Essaouira
July 1 – July 2

Shared Accommodations in Essaouira medina

Daily Instruction/Cultural Touring/Activities

July 1
o Visit Argan Oil co-op en route to Essaouira
o Afternoon arrival in Essaouira, hotel check-in
o Afternoon/Evening informal group tour of Essaouira’s medina (old city)
 Shop, practice French & darija in the souqs
 Seek impromptu Gnaoua musical in the wake of World Gnaoua Music Festival…
 Codify, discuss initial impressions of Morocco
o Sunset Dinner at famous oceanfront fish stands
July 2
o Breakfast at hotel
o Morning Beach camel ride
o Independent Afternoon in Essaouira
 Opportunity to Focus on Photography, Journals, Audio Capture for Blog
 Kiteboarding, windsurfing, surfing lessons (a la carte)
 Visit to a hammam – a traditional, public, segregated bath house (a la carte)
o Dinner
July 3
o Breakfast at hotel
o Return to Marrakech

Marrakech
July 3

Shared Accommodations in Marrakech riad

Daily Instruction/Cultural Touring/Activities

o Arrive Marrakech in late afternoon/early evening
o Check-in riad
o Afternoon tea/biscuits
o Free time/pack for return
o Adieu Maroc Dinner at riad
o Berber dancing lessons - tentative

Marrakech to US
July 4

o Early Morning flight to Casa, transfer, then mid-morning flight to US

April 8, 2009

Suggested Packing List

THINK LIGHT! You will have to put whatever you bring onto luggage racks in minibuses, trains, and you may have to carry your bag for long distances and we really don't want to end up like this. Here's a list of all that you will need to stay warm, dry, cool and comfortable. Since it will be the heart of summer, lightweight, breathable, cotton fabrics will be the most comfortable. Yet we will also be in The High Atlas Mountains for a few days and best to think "layers" for cool nights. The lighter you pack, the happier you--and the rest of the group--will be. Also keep in mind the great likelihood you will indulge in some shopping and that this saved space will come in handy towards the end of the tour. There will be opportunities to do “self-service” laundry or pay for outside laundry service where we’ll be staying.

PLEASE NOTE: We strive to be model visitors, and therefore ask that participants bring clothing that is lightweight and durable, but that also covers the body well, and looks respectable. Tie-dyed T-shirts, cut-off jeans, tight fitting leggings, short skirts, and tank tops are inappropriate, as they show disrespect for local cultures.

BAGS:
BACK PACK/SUITCASE/DUFFEL: Your main container to store your things. Something light weight and durable is best. An internal frame-pack or rolling duffel functions well for easy mobility.
DAY PACK: A book-bag or fanny-pack to use for daily excursions (to carry camera, water bottle, jacket, notebook, etc).
ZIPLOC BAGS: Like stuff sacks, these can be invaluable for organizing and keeping things organized and dry.

GEAR:
VALID PASSPORT: Good for at least 6 months from the beginning of your program.
MONEY BELT: A very important item to wear daily, under your clothes, safely hiding your passport, money, etc.
ALARM CLOCK/WATCH – Travel-size, to catch early buses and trains.
SWISS ARMY KNIFE
TRAIL SHOES: Durable and comfortable, for daily wear.
SANDALS/ TEVAS: Good for every day use in hot weather.
CHAPSTICK & SUNSCREEN
VISOR / SUN HAT
SUNGLASSES - With UV protection.

CLOTHING:
OUTER SHELL: A water-proof wind breaker, ideally light-weight and breathable—just in case we encounter an afternoon shower.
LIGHT or MID-WEIGHT FLEECE TOP: always good to have one for layering as temperatures rise/fall--primarily for The High Atlas Mountains.
T-SHIRTS: 2-3, in decent shape with sleeves, preferably not too tight-fitting or low cut.
SPORT SHIRT/LONG-SLEEVE SHIRT: 1 of each, for meetings and special occasions.
BATHING SUIT: 1, modest one-piece.
PANTS: 2, ideally light-weight. Jeans are heavy and take a long time to dry.
SOCKS & UNDERWEAR: 3-5 pairs each.
SCARF: Women should bring one for entering the Hassan II Mosque and attending the dhikr
SLEEPWEAR: Ideally a T-shirt/shorts can double for this. Minimize extra weight!
SKIRT /DRESS: Skirt below the knees or a dress with sleeves. There may also be opportunities to buy inexpensive skirts in Morocco.

OTHER:
CAMERA & FILM: Extra film is available in Morocco, although it is more expensive. Do bring an extra camera battery! If you use a digital camera you might want to bring an extra memory card.
DIGITAL AUDIO RECORDER: If you have one, bring it to capture your impromptu thoughts, interview your home-stay host, etc., and capture some of the unique sounds emblematic of Morocco
TOWEL: Small and light (and ideally fast-drying). *Just in case—good to have when we travel between circuits—and in the event the towel-snatching camel appears at our lodgings
TOILETRIES: Just the basics! (Brush, toothbrush & paste, shampoo, tampons, etc.) No hair driers, irons, etc.
MEDICATIONS/VITAMINS: Bring any prescription medicine you take in its original container to avoid problems at customs.
GLASSES/CONTACTS: Bring a back-up pair too and contact solution for the duration of the trip.
NATURAL TEARS / VISINE EYE DROPS – With sandy, dusty conditions and a dry climate, this is handy to have.
NOTEBOOK / JOURNAL
PEN / PENCIL
TRAVEL BOOK: Ideally from the recommended reading list (we can share to minimize weight).
GIFTS: A few light items to share with home-stay families (post cards of your home state, a simple t-shirt, a small calendar or picture book); alternatively, you can buy inexpensive tokens of appreciation in the Fes medina.
SPENDING MONEY: American Express traveler's cheques are safest, in a mix of $20 and $50 denominations, but not every bank in Morocco cashes traveler’s cheques. ATMs are fairly widespread and just as efficient. NB: Notify your banks beforehand of your travels to Morocco so they won’t block any ATM or credit card transactions.

OPTIONAL:
SHORTS or CAPRI PANTS (for women) - 1 pair; shorts should be at least mid-thigh length (these won't be appropriate much of the time; in fact, you may never wear them, but they can be good to sleep in). Capris may be acceptable for lounging at the hotel & beach—less so for the medina
BANDANA - These can serve multiple purposes while traveling.
INSECT REPELLENT
EAR PLUGS - Help you sleep on long flights and bus rides—and if your roommate has a tendency to snore—or talk in his/her sleep!
PURELL - Anti-bacterial hand gel (a small bottle), or anti-bacterial hand-wipes.
WATER BOTTLES – If you prefer to drink out of these instead of the plastic bottles for-purchase, consider a “Nalgene-type” BPA-free bottle that can be found at local outdoor gear shops.
LAPTOP COMPUTERS – Cyber Cafes are fairly prevalent in the cities which we’ll visit, so unless you plan to work during the tour, leave your laptops home; don’t expect WiFi access
ADAPTERS/CONVERTERS: Most of the country runs on 220v, so bring these for your camera, cell phone, iPod, or other electronic devices
BOTTLE OF WOOLITE/DETERGENT: A small bottle for hotel room washings….

PLEASE NOTE: Lugging a heavy pack around for the entire time we are in Morocco can be extremely tiresome. We can find almost anything you'll need in the countries we visit, and you'll also want to pick up new items. Seriously challenge yourself to pack light, and lighter still, you definitely will not regret it! If you have any questions about whether it is or isn't appropriate to bring certain items, please don't hesitate to ask.

One final thing that is essential equipment: a healthy body. Your experience will be so much more enjoyable if you come with a body that is fully prepared for the journey. If you are not already getting regular exercise, we recommend starting an aerobic workout program—or at least taking long walks--exercising at least 30 minutes a day, five days a week. Heat and dehydration will be our most formidable challenges on this tour.

Packing hints: Culturally appropriate clothing. What does this mean? When you are packing for this program it is really important that you bring clothes that will be both comfortable and suitable to the locations we are going to.

For female travelers this means loose fitting shirts that have sleeves at least the length of a usual t-shirt. Shirts that have spaghetti straps, are sleeveless, tight-fitting, or mid-riff baring are not appropriate and can lead to troubles that can almost certainly be avoided by more conservative dress. If you wear pants that have a low-waist line you need to have shirts long enough to cover your mid-riff. If you wear a skirt, it should be at least to your knees.

For male travelers it is best to have pants and shirts with short sleeves as well.

For all travelers: It is important that your clothes be clean (no holes, stains, rips, etc.).

Recommended Multimedia Resources for Morocco Background

Follows is a list of content in various media that will provide useful background for your upcoming tour and help contextualize your experiences. If time allows, borrow or purchase a few of these titles before your travels--try to coordinate with fellow travelers so these may be shared during the tour. Many libraries are likely to carry some of these as well. A short-list of highly recommended readings is asterisked (*).

General / Travel Guides

*Lonely Planet Guide to Morocco OR *The Rough Guide to Morocco

History (Arab, North African, Moroccan, and Moorish)

A History of the Arab Peoples, Albert Hourani (Harvard University Press, 2003). Emeritus Fellow at St. Anthony's College in Oxford, Hourani begins with Islam's rise in the 7th century and carries the rich and imposing story of Arab civilization to the late 1980s. In broad, sweeping strokes, Hourani moves easily from mosque to marketplace, from sultan to imam, from nomad to city-dweller, from Mohammed to Anwar Sadat. He focuses on the Ottoman Empire and on the European colonialism that followed, and concludes with a discussion of the modern resurgence of Islam that offers hope to thousands of Muslims and appears so threatening to Westerners.

A Traveller’s History of North Africa, Barbaby Rogerson (Windrush, UK/Interlink, US). Roger successfully takes on the daunting task of covering the history of Morocco, Tunisia, Algeria, and Libya. An authoritative but readable account providing a clear vision of North African history from Carthage to the present.

Lords of the Atlas, Gavin Maxwell, (Cassell, UK). This is the story of the Glaoui family—literally the “Lords” of the High Atlas—where they exercised almost complete control from the turn of the 19th century through Moroccan independence in 1956.

*Morocco since 1830, C.R. Pennell (C. Hurst, UK/New York University Press, US). This recent paperback, published in 2000, is one of the first general histories of modern Morocco. It covers the major strands of power but also the social and cultural life of ordinary Moroccans while focusing on the various contemporary challenges facing the country.

Moorish Spain, Richard Fletcher (University of California Press). Beginning in the year 711 and continuing for nearly a thousand years, the Islamic presence survived in Spain, at times flourishing, and at other times dwindling into warring fiefdoms. But the culture and science thereby brought to Spain, including long-buried knowledge from Greece, largely forgotten during Europe's Dark Ages, was to have an enduring impact on the country as it emerged into the modern era. In this gracefully written history, Richard Fletcher reveals the Moorish culture in all its fascinating disparity and gives us history at its best: here is vivid storytelling by a renowned scholar.

Political Science

*Morocco: The Islamist Awakening and Other Challenges, Marvine Howe (Oxford University Press, 2005). In Morocco, Marvine Howe, a former correspondent for The New York Times, presents an incisive and comprehensive review of the Moroccan kingdom and its people, past and present. She provides a vivid and frank portrait of late King Hassan, whom she knew personally and credits with laying the foundations of a modern, pro-Western state and analyzes the pressures his successor, King Mohammed VI has come under to transform the autocratic monarchy into a full-fledged democracy. Howe addresses emerging issues and problems--equal rights for women, elimination of corruption and correction of glaring economic and social disparities--and asks the fundamental question: can this ancient Muslim kingdom embrace western democracy in an era of deepening divisions between the Islamic world and the West?

Travel Essays/Fiction/Poetry

*The Spider’s House, Paul Bowles, 1955 (Harper Perennial). The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles's writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country's 1954 nationalist uprising. Totally relevant to today's political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider's House is perhaps Bowles's most beautifully subtle novel.

*The Caliph’s House: A Year in Casablanca*, Tahir Shah, 2006 (Bantam). When Shah, his pregnant wife and their small daughter move from England to Morocco, where he'd vacationed as a child, he enters a realm of "invisible spirits and their parallel world." Shah buys the Caliph's House, once a palatial compound, now heavy with algae, cobwebs and termites. Unoccupied for a decade, the place harbors a willful jinni (invisible spirit), who Shah, the rational Westerner, reluctantly grasps must be exorcised by traditional means. As Shah remodels the haunted house, he encounters a cast of entertaining, sometimes bizarre characters. Three retainers, whose lives are governed by the jinni, have attached themselves to the property. Confounding craftsmen plague but eventually beautify the house. Intriguing servants come and go, notably Zohra, whose imaginary friend, a 100-foot tall jinni, lives on her shoulder. A "gangster neighbor and his trophy wife" conspire to acquire the Caliph's House, and a countess remembers Shah's grandfather and his secrets. Passers-through offer eccentricity (Kenny, visiting 15 cities on five continents where Casablanca is playing; Pete, a convert to Islam, seeking "a world without America"). There is a thin, dark post-9/11 thread in Shah's elegantly woven tale. The dominant colors, however, are luminous. "[L]ife not filled with severe learning curves was no life at all," Shah observes. Trailing Shah through his is sheer delight (Publishers Weekly).

*In Arabian Nights: A Caravan of Moroccan Dreams, Tahir Shah, 2007 (Bantam). In this entertaining and penetrating book, Tahir sets out on a bold new journey across Morocco that becomes an adventure worthy of the mythical Arabian Nights. As he wends his way through the labyrinthine medinas of Fez and Marrakesh, traverses the Sahara sands, and tastes the hospitality of ordinary Moroccans, Tahir collects a dazzling treasury of traditional stories, gleaned from the heritage of A Thousand and One Nights. The tales, recounted by a vivid cast of characters, reveal fragments of wisdom and an oriental way of thinking that is both enthralling and fresh. A link in the chain of scholars and teachers who have passed these stories down for centuries like a baton in a relay race, Shah reaches layers of culture that most visitors hardly realize exist, and eventually discovers the story living in his own heart. Along the way he describes the colors, characters, and the passion of Morocco, and comes to understand why it is such an enchanting land. From master masons who labor only at night to Sufi wise men who write for soap operas, and Tuareg guides afflicted by reality TV, “In Arabian Nights” takes us on an unforgettable journey, shining a light on facets of a society that are normally left in darkness (Bantam).

Their Heads are Green and Their Hands are Blue, Paul Bowles, 1963 (Harper Perennial). Bowles, one of the four or five best writers in English in the second half of the twentieth century, embraced the desert as a Christian saint embraces his martyrdom. His self-abnegation and his love of traditional culture made him one of the keenest observers of other civilizations we have ever had in America. Unlike his countrymen he did not brashly set out to improve the rest of the world. For Bowles, Americanization was the problem, not the solution. As these startling, sober travel pieces show, Bowles, because of his powers of negative capability, was able to enter into the inner truth of even the most remote places and peoples (from the Introduction by Edmund White).

The Sheltering Sky, Paul Bowles, 1949 (Harper Perennial). In this classic work of psychological terror—deemed by many to be the finest English novel since WWII—Bowles examines the ways in which Americans apprehend an alien culture and the ways in which their incomprehension destroys them. The story of three worldly young travelers Port Moresby, his wife, Kit, and their friend, Tunner--adrift in the cities and deserts of North Africa after World War II, The Sheltering Sky is merciless in its evocation of the emotional dislocation induced by a foreign setting. As the Americans embark on an ill-fated journey through desolate terrain, they are pushed to the limits of human reason and intelligence by the unfathomable emptiness and impassive cruelty of the desert. Along the way, they encounter a host of enigmatic characters whose inarticulate strangeness seals the travelers off even more completely from the culture in which they are traveling, causing their fierce attachments to one another to unravel.

For Bread Alone, Mohamed Choukri (IB Tauris/UK). Choukri's classic and moving work—which has already been translated into more than 10 languages—speaks for an entire generation of North Africans. Born in the Rif, Choukri moved with his family to Tangier at a time of great famine. His childhood was spent in abject poverty; eight of his brothers and sisters died of malnutrition or neglect. During his adolescence, he worked for a time as servant to a French family. He then returned to Tangier, where he experienced the violence of the 1952 independence riots. Still illiterate at the age of 20, he made the decision to learn to read and write classical Arabic—a decision that transformed his life. After mastering the language, he became a teacher and writer, and finally was awarded the chair of Arabic Literature at Ibn Batuta College in Tangier.

Leaving Tangier, Tahar Ben Jelloun (Penguin, 2009). As several expatriate Moroccans learn in Jelloun's latest, it doesn't matter how difficult life may be in the home country, a whole new set of difficulties waits in the promised land. Most of the novel focuses on Azel, a young Tangier native and a self-described Arab who doesn't like himself. Desperate to escape, Azel agrees to become the object of affection for a wealthy Spaniard named Miguel, who takes him in after a brutal police beating. Leaving behind his family and girlfriend for the good life he's imagined in Spain, he soon learns that daydreams can be misleading—and that the life he's always wanted is causing him, despite his benefactor's best intentions, to self-destruct. Before long, Azel's sister Kenza, a nurse, weds Miguel to gain Spanish citizenship, then falls in love with an expatriate Turk who comes with his own set of problems. This harsh, unsentimental view of the risks and regrets of emigration—as well as the stunning realities of life under Islam law—is a stark, straightforward tale that readers can't help getting caught up. --From Publishers Weekly

A Year in Marrakesh, Peter Mayne (Eland Publishing, UK, 1953). Having learned to appreciate Muslim life while living in Pakistan, Peter Mayne settled down to live in the back streets of Marrakesh in the 1950s. Rather than watch from the shelter of a hotel terrace, he rented rooms, learned the language, made friends, and became embroiled in conspiratorial picnics, hashish-laced dinners and in the enchantments and misunderstandings of the street, with its festivals, love affairs, potions and gossip. By turns used, abused and cherished by his neighbors, Mayne wrote their letters for them and captured the essence of their lives in this affectionate and hilarious account.

The Voices of Marrakesh, Elias Canetti (Marion Boyars, UK). A small, compelling volume of impressions of Marrakesh in the last years of French rule by the Noble-prize winning author. The atmosphere of many pieces still holds.

Morocco That Was, Walter Harris (Eland Books, UK). Harris, Times correspondent in Tangier from the 1890s until his death in 1933, saw the country at probably one of its most bizarre stages in history—the last years of “Old Morocco” in its feudal isolation and the first of its French occupation. First published in 1921, this is a masterpiece—alternately sharp, melodramatic, and comic.

Hideous Kinky, Esther Freud (The Ecco Press, 1992). A young girl’s story of her childhood in Morocco with her sister and her Sufi-questing mother. Also a film starring Kate Winslet.

Poem of the Deep Song, Federico Garcia Lorca. “Poem of the Deep Song” is a bilingual edition of the epic poem inspired by the music and culture of Andalusian Gypsies, penned by acclaimed Spanish artist and musician Federico Garcia Lorca (1898-1936) and skillfully translated into English by award-winning poet Ralph Angel. Consisting of a diversity of impressions originally meant to be sung, not with overly mellifluous tone but rather in a deep, primal cry, Poem of the Deep Song evokes passion, vibrancy, and life undimmed by the turn of almost a century. "De Profundis": A hundred lovers / sleep forever / beneath this dry land. / Andalusia, / long, red-colored roads. / Cordoba, green olive trees, / where a hundred crosses / are placed in their memory. / A hundred lovers / sleep forever.

Islam

The World’s Religions, Huston Smith (HarperCollins, 1991). With a new preface and fresh package, this completely revised and updated version of The Religions of Man explores the essential elements and teachings of the world’s predominant faiths, including Hinduism, Buddhism, Confucianism, Taoism, Islam, Judaism, Christianity, and the native traditions of the Americas, Australia, Africa, and Oceania. Smith emphasizes the inner – rather than institutional – dimensions of these religions and gives special attention to Zen, Tibetan Buddhism, Sufism, and the teachings of Jesus. He convincingly conveys the unique appeal and gifts of each of the traditions and reveals their hold on the human heart and imagination. [*The section on Islam is recommended]

Love Poems from God: Twelve Sacred Voices from the East and West, Daniel James Ladinsky (Penguin Group, 2002). In this transcendent collection, Daniel Ladinsky-best known for his gifted and best-selling translations of the great Sufi poet Hafiz-brings together the timeless work of twelve of the world's finest spiritual writers, six from the East and six from the West. Once again Ladinsky reveals his talent for creating inspiring, profound, and playful versions of classic poems for a modern audience. Rumi's joyous, ecstatic love poems; St. Francis's loving observations of nature through the eyes of Catholicism; Kabir's wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa's sensual verse; and the mystical, healing words of Hafiz-these and other spiritual writers considered to be "conduits of the divine" make up this rich and luminous collection of "love poems from God."

Islam Observed, Clifford Geertz (Chicago: University of Chicago Press, 1984). In this book, Geertz analyzes notions of Islam on a practical and theoretical level, as well as making a cross-cultural comparison.

An Introduction to Islam, Frederick M. Denny (Prentice Hall, 2005). This comprehensive overview provides students with a thorough and unified topical introduction to the global religious community of Islam. It places Islam within a cultural, political, social, and religious context and examines its connections with Judeo-Christian morals. The text's integration of the doctrinal and devotional elements of Islam enables students to see how Muslims think and live--engendering understanding and breaking down stereotypes. It also reviews pre-Islamic history so students can see how Islam developed historically.

*Islam: The Straight Path, John L. Esposito (Oxford University Press, 1998). This exceptionally successful survey text introduces the faith, belief, and practice of Islam from its earliest origins up to its contemporary resurgence. The author, an internationally renowned expert on Islam, traces the development of this dynamic faith and its impact on world history and politics, discussing the formation of Islamic belief and practice (in law, theology, and mysticism) and chronicling the struggle of Muslims to define and adhere to their Islamic way of life. Lucidly written, the third edition of Islam: The Straight Path provides keen insight into one of the world's least understood religions.

Realm of the Saint: Power and Authority in Moroccan Sufism, Vincent J. Cornell, (Austin: University of Texas Press, 1998). In premodern Moroccan Sufism, sainthood involved not only a closeness to the Divine presence (walaya) but also the exercise of worldly authority (wilaya). The Moroccan Jazuliyya Sufi order used the doctrine that the saint was a "substitute of the prophets" and personification of a universal "Muhammadan Reality" to justify nearly one hundred years of Sufi involvement in Moroccan political life, which led to the creation of the sharifian state. This book presents a systematic history of Moroccan Sufism through the fifteenth and sixteenth centuries C.E. and a comprehensive study of Moroccan Sufi doctrine, focusing on the concept of sainthood.

Memory, Music, and Religion: Morocco’s Mystical Chanters, Earle H. Waugh, (Columbia: University of South Carolina Press, 2005). An analysis of the role of music and rememberance in Moroccan Islam and Sufism and its reflection on Moroccan national identity.

The Koran, Oxford University Press translated editions (US/UK). The Word of God as handed down to the Prophet Mohamed is the basis of all Islam.

Anthropology/Gender Studies

Beyond the Veil: Male-Female Dynamics in Muslim Society, Fatima Mernissi, (Indiana: Indiana University Press, 1987). A controversial book written by an Arab feminist-scholar that examines gender relations from an insider's vantage point. It remains an important source for those studying gender issues in the Muslim world.

Gender on the Market: Moroccan Women and the Revoicing of Tradition, Deborah Kapchan, (University of Pensylvania Press, 1996). A study of Moroccan women's expressive culture and the ways in which it both determines and responds to current transformations in gender roles. She is currently working on two additional books on Morocco: Poetic Justice: Translating Art and Ideology in Morocco and Traveling Spirit Masters: Sound, Image and Word in the Global Marketplace.

Doing Daily Battle: Interviews with Moroccan Women, Fatima Mernissi, (The Women’s Press, UK/Rutgers University Press, US). Eleven women—carpet weavers, rural and factory workers, teachers—talk about all aspects of their lives, from work to housing to marriage. Unique insight into traditionally private quarters.

*A Street in Marrakech, Elizabeth W. Fernea (Waveland Press, 1988). An American woman anthropologist’s view of Marrakech in 1971-72; it will give you an idea of how much Marrakech has changed, or not, in the last 20 years.

Tribe and Society in Rural Morocco, David Hart, (Frank Cass, UK/US). An accessible collection of essays from 1985-2000 around the themes of tribalism and Berberism in Morocco.

The Mellah Society: Jewish Community Life in Sherifan Morocco, Shlomo Deshen, (Chicago: University of Chicago Press, 1989). This is a work that tackles the issue of Jewish identity in a predominantly Muslim country. In his account, Shlomo penetrates Moroccan culture and discusses a variety of key concerns that will give perspective to your experience.

The Berbers (Amazigh)

How “Berber” Matters in the Middle of Nowhere by David Crawford
http://www.faculty.fairfield.edu/dcrawford/berber_matters.html
This describes the social life, terrain and challenges experienced by the Berber people

Arab News – This is a concise overview of who are the Berber people
http://www.arab.net/morocco/mo_people.htm

A Peace Corps Volunteer’s experience
http://aands.virginia.edu/x7547.xml

This article suggests some of the challenges in the region:
http://www.magicmorocco.com/travel_morocco/reviews/moroccos_high_atlas_region_both_breathtakingly_beautiful_and_remote.html

The issue of language is highly political in Morocco – an issue the Berber people have been struggling with for generations and only in recent years has genuine progress been made. This BBC article describes an example of progress: http://news.bbc.co.uk/2/hi/africa/4502772.stm

Documentaries/Film

*Class of 2006, PBS, Director Gini Reticker. WIDE ANGLE cameras are on location in Morocco as history is made. In May 2006, an imam academy in the city of Rabat holds a graduation ceremony. But the class of 2006 is no ordinary group of students. Side by side with the male graduates are 50 women pioneers, among the first contemporary group of women to be officially trained as religious leaders in the Arab world. Empowered to do everything that male imams do -- except lead Friday prayer in a mosque -- the women will fan out across Morocco to work as spiritual guides in mosques, schools, hospitals, and prisons, even hosting their own television and radio talk shows.

*Sound of the Soul, Stephen Olsson, Director (CEM Productions, 2006). A glorious homage to the remarkable Fez Festival of World Sacred Music in Morocco, which brings together a unique array of musicians from Muslim, Christian and Jewish backgrounds. --All connected through their artistry by profound expressions of love and longing. In a world increasingly polarized by religious conflicts and fundamentalist forces, SOUND OF THE SOUL is a timely and profound experiential journey, reverberating with unity, understanding and most of all, hope.

The Sheltering Sky (1990). Paul Bowles’ novel set to the Big Screen. Directed by Bernardo Bertolucci and starring John Malkovich and Debra Winger.

Morocco: The Past and the Present of Djemma El Fna, 1995. A short documentary by Steven Montgomery profiling the legendary marketplace in Marrakech, with glimpses of its snake charmers, musicians, and storytellers.

The Wind and The Lion, 1975. In the early 1900s, an American businessman was kidnapped by a rebellious Arab chieftain, principally as a means to embarrass the Sultan of Morocco. This abduction sparked the threat of armed intervention by President Theodore Roosevelt, which was never carried out. In The Wind and the Lion, the unattractive male captive is replaced by the gorgeous female Mrs. Pedecaris, an American widow played by Candice Bergen. The ruthless but essentially decent Arab chief Raisuli is portrayed by Sean Connery, while Teddy Roosevelt is depicted as a jingoistic blowhard by Brian Keith. The film's main theme, that of America's emergence as a world power, is largely secondary to the growing mutual-respect relationship between Mrs. Pedecaris and Raisuli. After releasing his hostage, Raisuli is himself captured by German forces, who at the behest of the Kaiser are seeking out methods of laying the groundwork for what would evolve into World War I. With the help of Mrs. Pedecaris -- and, in long-distance fashion, President Roosevelt -- Raisuli escapes. Director John Milius' screenplay bears little relation to the facts of the matter, but this is forgotten in the light of the film's dynamic action sequences, not to mention the marvelous rapport between its two main stars.

Casablanca, 1942. One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion.

Music

The Rough Guide to the Music of Morocco

Gnawa Diffusion

Podcasts (iTunes U)

Stanford Professor Emeritus, David Abernathy, offers six approximately 1 hour lectures of interest on Morocco:

*1. “Morocco’s Foreign Policy, From Independence to Today”
2. “The ‘Moors’ in Europe, 711-1492: The Arab-Berber Impact on Iberian History and Culture”
*3. “The Arab Arrival and the Spread of Islam”
4. “Northwest Africa Before Islam: the Influence of Mediterranean Cultures”
*5. “Europeans in Morocco: From Ceuta (1415) to the French Colonial Era (1912-1956)”
6. “Trans-Saharan Trade Routes and Medieval Kingdoms of the Sahel”

Welcome from Alex Safos, Director of Middle East & North Africa Programs

Alex and Soudani.JPG
Mohamed Soudani, Lecturer on Berber-Sahara Culture, with Alex Safos, Global LAB Director

I was an anxious, rudderless college sophomore when he got the call. It was from Washington, DC—the State Department to be exact—and the beige rotary phone was ringing in a remote University of Texas at Austin professor’s office, some 1,500 miles plus away. This was 1986, and to me, 1,500 miles was a faraway place. Dr. James Bill politely and unpretentiously said, “Alex, have a seat. I need to take this call from State. They need some input—help, really—with their Iran policy.” Now this is pretty cool, I thought, eyes like saucers.

So with the guidance of Dr. Bill and other professors who opened this new portal before me, I began studying Arabic, Islam, political science, Arab history, sociology, etc. The straight-up cocktail—with a language twist. So while I had to endure the tiresome heckles of “Arabic? Why the [expletive] are you taking that?” from several on pre-Med, pre-Law, and pre-MBA trajectories, to this day, two decades later, my 4 years combined undergraduate and graduate Arabic instruction represent my most valuable output from the academy. Without question.

What’s better than learning about a culture and its native tongue? Learning about a culture and its native tongue on native soil. My Arab cultural baptism was in North Africa—in Egypt—where I spent two consecutive summers working in Cairo. The first as an assistant editor to an English language magazine for tourists. The second as an assistant manager for a local FedEx franchise. So this was how I was first introduced to an “office environment” (in the US, my work experience had been limited to waiting tables). In a city of millions whose daily evasion of implosion I found, and still find, astonishing. The foot-high stacks of paper on every desk and the affinity for the rubber-stamp. In triplicate, straight out of a Gogol short story on stultifying Soviet bureaucracy. The haze of “Cleopatra” brand cig smoke in the office all day, forming another atmosphere between us and ceiling. Like at an old jazz club, but without music. My mood would flip from rapture to frustration, from affinity to disengagement—all stoked by 100F temperatures and the notorious Egyptian khamseen, the hot and unrelenting summer sandstorm from the desert on Cairo’s doorstep. Applying, growing, questioning, critiquing, fighting, capitulating, amped up, and shut down. It was glorious. Every grain.

My academic interest in the region deepened, and I obtained a Masters in Arab Studies from Georgetown's Center for Contemporary Arab Studies, exploring the political landscapes under the wisdom of Dr. Michael Hudson and others. So the privilege of leading this educator tour represents a sort of personal homecoming, a return of sorts. After an underworld stint as a bartender trying to figure out how and where to apply this credential, Morocco rang. I had figured out that a career in the diplomatic corps was not for me and had blanketed English language schools from Marrakesh to Muscat looking for a constructive and fascinating way to get back to North Africa. The winning ticket was Fes, and I had no idea what to expect…I rifled through the Atlas, honed in on Fes, land-locked in a valley, and it looked so small, so provincial, compared to a cosmopolitan Cairo seeped with humanity in every crack.

The memory of my paralysis in the Tangier airport is cleaver-sharp where, in the dust, it all came rushing, that I would be here, in the Maghrib, for a year. No Exit. And that I couldn’t speak. Be understood. Or understand. There is a memorable discomfort in suddenly realizing that communication with your fellow human is not happening like it should. My prior Arabic language training was practically useless in this hour #1 in Morocco—both my Egyptian dialect and traditional Modern Standard Arabic fell on so very deaf ears. And I had no French fall-back

I got over my Tangier two-step and Morocco moment (of doubt) soon enough. My home for the next year would be Fes. Or Fez. It was here I would teach English at the American Language Center and assist in the launch of what is today “ALIF”, the Arabic Language Institute in Fez. And it was here—and elsewhere and everywhere across this country of heart—I would grow layer upon layer of perception, community, color, and humanity.

I can tell you about dreamy moonlit camels shuffling in the Sahara, all else quiet. I can tell you about how you might pause and fixate during your first evening call to prayer, from deep in the Fes medina, and become very conscious of Islam’s tapestry and reach. And I can tell you how, with just a mote of darija, Moroccan Arabic, you will connect with rich and poor, merchant and butcher, baker and beggar—and how your words will animate the creases of these incredibly handsome and hospitable people. But these are your experiences, still unlit and unwrapped. As you prepare, review our itinerary, and sample content from our recommended multimedia list, you'll get a taste of the transport in store.

We all own various enlightening and sensational and very personal travel experiences. The night fragrances and whispers of my Roman honeymoon. An epiphany of dear wilderness and wildlife, courtesy of Alaska. And a primal sense of blood and heritage in escorting my grandmother back to her Greek island village, amidst a backdrop of sea, goats and grapes. In my experiential cellar, Morocco is as good and real and true as all of these.

After a personal detour into corporate America for more years than desirable—detours that ultimately clarify direction—the pungency of Moroccan cumin and orange blossoms and mint slaps as hard as ever. My return in April 2006 after a 14 year absence was strangely familiar and rejuvenating.

I congratulate your curiosity and passion to witness this country, this culture, and this media-riddled region of the world on your own terms--and to share your discoveries with your respective students. Without apology, without preconception. In all its hospitality and diversity, Morocco will leave you changed and more mindful on many levels. I look forward to speaking with you, meeting you, and answering any questions or concerns before you set out on this remarkable and rewarding path. "B'salaama wa rihla sa’ida." Peace be with you and happy travels!

Alex
al-Askander

"REVEALING MOROCCO'S MOSAIC" CULTURAL TOUR - THE HOTCHKISS SCHOOL, SUMMER 2009

Casablanca * Fes * Marrakech * The High Atlas * Essaouira

Each time I go to a place I have not seen before, I hope it will be as different as possible from the places I already know.
–Paul Bowles, author of The Sheltering Sky, composer, traveler, Morocco expatriate

A mere 17 miles south of Europe, across the Strait of Gibraltar, a very different experience awaits—an intriguing place of great contrast, color, culture, history, and hospitality. The late King Hassan II described Morocco’s complexity and essence best—“Rooted in Africa, watered by Islam and rustled by the winds of Europe”—and during our fortnight here, we will encounter this country’s intriguing mélange. Through various guest lectures and language training, urban and rural service learning, guided tours, cultural and spiritual performances, and intimate home-stay settings, we will uncover a layer of Morocco and Moroccans unrevealed to most visitors.

Our diverse journey will take us from the commercial pole of Casablanca with its striking modern-traditional contrasts and the third largest mosque in the world…to the Arab-African pulse of Marrakesh, “The Rose City”, and its hypnotic, carnivalesque Djemaa el Fna ("Square of the Dead")…from the soul of Fes and its inimitable medieval medina (old city)…to the spectacular High Atlas Mountains with its distinctive Berber culture and rhythm…and to the cozy Atlantic coast city of Essaouira with its whitewashed medina and impressive Portuguese ramparts. Since we’ll be covering much ground in such a short period and since we’ll be striving hard to explore, engage, decipher, and document, there is a Moroccan proverb to keep in mind: “Little by Little, the Camel goes into the Couscous.” By travel’s end, we’ll only have tasted our first few grains. Spicy, sophisticated, and no doubt delicious, but much more will remain to savor in the future.

Below are two ambient public radio dispatches on Fes and Marrakech to stoke your excitment and curiosity. Give a listen:

Audio from Elsewhere
Sounds from the old city of Fes
Sounds from Marrakesh’s ‘Square of the Dead’”